The Language Playground
Demonstrator: Angela Stroud
Target Audience-
All grades, all contents
Introduction:
Every time the word journaling is mentioned, even the bravest writers sometimes tremble with fear. And then the age -old question is asked, “But what do I write about?” I always had this problem any time I was given the freedom to write about anything I wanted. This was the driving force behind my demonstration. Teachers need a way to tap into the creativity of their students and this demo will show you one way to accomplish this. The idea for this demo came from a writing workshop I attended at Boyd County Middle School while student teaching. Professor George Eklund presented his method of helping students find the topics that are important for them to write. He began by explaining that language is like a playground and we can run with the “wild girls of our imagination” on the language playground to discover the things we really need to say. He begins by putting a few apparatuses on the board on which students play. These apparatuses are sentence starters like “I hate…” “ I love…” “I can’t stand it when….”, etc. Students continue writing on these topics until they can think of nothing else to write and then they will switch to another apparatus. The pages of thoughts they create are called wild text. After creating several pages of wild text, the students move to the next stage that is assemblage. At this stage, students peruse their wild text to find similar topics or sentences that could be combined to make a complete thought. These sentences and thoughts will be written together and then formed into a rough draft of poetry. From this point, the writing process continues with revision, editing and eventually some form of publication.
Rationale/Justification
According to Natalie Goldberg, “We all have a dream of telling our stories-of realizing what we think, feel, and see before we die. Writing is a path to meet ourselves and become intimate.” (xiii) Brainstorming how you feel about certain topics opens a floodgate of good writing. Students sometimes surprise themselves, not realizing how they really feel until they begin to write. Writing is a release of the inner soul and can be a coping mechanism for many difficult situations that students face. I have seen this technique of freewriting unlock some wonderful ideas and turn into a beautifully crafted piece of writing. Although I have never seen it used in other content areas, I believe it can be successfully adapted and I have a plan for how I will use it in my math classroom.Goldberg uses a similar technique that she calls first thoughts in her book Writing Down The Bones. She has six rules that apply to this type of writing that free the writer to focus only on what they are thinking in the moment. Peter Elbow also uses freewriting in various forms. The first he discusses is just simply writing down any thought that comes to mind without stopping. He moves on to talk about focused freewriting that stays on one topic, but is still free to think of anything on that subject. Clustering and mapping is a form of freewriting that allows you to even draw pictures along with your thoughts. William Strong says in his book Writing For Insight, the first priority for a writer is to find something on which to write. There is nothing to revise or edit if we can’t get the words on paper first. Therefore I feel the concept presented in my demonstration is the basis from where all good writing comes. The bare bones of writing is finding your voice and the passion that drives you to write.
Narrative
I will begin my demonstration by explaining the procedure used by Professor George Eklund at Morehead State University. I will introduce the audience to the language playground. This is an imaginary play place where writers can play on various topics called apparatuses to look deep within themselves and write to discover their feelings, fears, happy thoughts, etc. These are usually sentence starters like “I like…”, “I love….”, “I hate…”, and so on. I will allow them to play on different apparatuses and freewrite for a total of two minutes on each apparatus. The thoughts generated during this playtime is called wild text. After the freewrite I will introduce the concept of assemblage. This is the step where we read over our wild text to see if we have any common themes in our wild text that we can put together to form a rough draft of a poem. Writers will peruse their freewrite and find similar entries to pull out to assemble into some form of cohesive writing. After this, writers will move on to revising and editing. After a brief sharing time a brainstorming activity will follow. I will ask the audience to come up with a list of sentence starters, or apparatuses that would pertain to various content areas. When the list is complete, writers will pick three to five apparatuses to play on for about ten minutes. They will move on to assemblage, revising and editing. Sharing will be next and I am anxious to hear the creative poetry that will be shaped from this activity.
Conclusion
My objective for this demonstration is that teachers will be able to help their students overcome the dreaded writer’s block and facilitate writing by allowing students to write uninhibited, without a final product in mind. The first thoughts of a writer are full of energy and it is crucial to the writing process to get these on paper. This concept of freewriting plays a major role in transferring those first thoughts from the mind to the pen. Like Goldberg, as teachers we need to push our students to write more even if they think they have nothing more to say. Sometimes the most creative writing comes when we think we are finished, and then we push harder to writer more and realize we have only begun. It is my desire that all of you will find a place for wild text in your classrooms and that your students will generate some of the best writing yet.
Bibliography
Elbow, Peter, and Belanoff, Pat. A Community of Writers. Third Edition. Boston, MA: The McGraw-Hill Companies, Inc., 2000.
Eklund, George. “Wild Text.” 7th grade Language Arts Class. Boyd County Middle School, Ashland, KY. 10-26-06.
Goldberg, Natalie. Writing Down The Bones. Second Edition. Boston, MA: Shambhala Publications, Inc., 2005.
Strong, William. Write For Insight. Boston, MA: Pearson Education, 2006.